A fragment of presence caught mid-gesture, mid-breath — the sort of image that doesn’t announce itself but waits patiently to be noticed.

The tones lean toward shadow, giving the piece a private quality, like a memory recalled rather than a scene observed. Framed as an object, it asks to be approached closely and lived with slowly.

Each portrait is made in the space between looking and knowing — a study of presence and memory.

This portrait of Dasha is made using Fujifilm Instax Mini film and set within a vintage film holder — a small, tactile photographic object measuring 16 × 10 cm.

Only one exists.