A work built around softness.
Edges blur just enough to suggest motion — the sense that the flower has recently moved, or might again. The overall feeling is one of gentle transition, like light shifting across a room.

Each floral original is a one-off, hand-made piece — a small, attentive study of form, light, and quiet looking. Once it’s gone, it’s gone quietly.

A small original watercolour drawing on handmade vintage 300gsm deckle-edge paper, drawn at 6 × 4 and mounted to A5.