Here, contrast becomes a kind of language.
Shadow gathers confidently, while lighter areas hover just enough to suggest form without insisting on it. The portrait feels introspective, inward-facing, and carefully unassuming.

A singular image that rewards repeated viewing — each look revealing a slightly different balance of tone and intention.

Each portrait is made in the space between looking and knowing — a study of presence and memory.

This portrait of Dina is made using Fujifilm Instax Mini film and set within a vintage film holder — a small, tactile photographic object measuring 8.5 × 4 cm.

Only one exists.